That Drifting Poo Was Way Too Meaningful! It's the TV Letdowns of the Past Year.

Looking back, we consider the TV landscape of the recent year, a handful of series stand out not for their excellence, but for their spectacular failures. Ranging from cringe-inducing sequels to bafflingly bad documentaries, here are the productions that had us utterly bewildered or just reaching for the remote.

And Just Like That

Where to begin with this divisive follow-up? Burdened with dreadful writing, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show fought to find its footing. Briefly, as the third season began, it looked like it had at last found its groove. Then came an episode centered on Seema’s natural deodorant. No wonder the showrunner announced this would be the final season. It ended on a low point; the closeup of Miranda’s toilet full of poo was just way too on-the-nose. Yet, viewers certainly found joy picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t let out a little sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the least of this show's problems. The recipient of a exceedingly uncommon no-star review, it was hard to know where to start listing the problems. The laughably leaden dialogue? The tedious veneration of affluence and consumption? The seemingly wilful procession of cliches? Performances so poor they felt borderline spiteful? Suffice it to say “all of the above” and forget about this series again. Except, a new season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, abuse allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d truly have known it from this three-part docuseries which smirked its way at Sheen’s various bouts of reckless hedonism while failing to tell us a single thing we weren't already aware of. Rather, it felt as if this volatile personality was being pandered to, so any pity this series might induce should be reserved for the people who have had to endure close contact with this charming but dismissive narcissist.

The Supercomputer Drama

Naturally we understood it was preposterous from the outset: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer love for its stars … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

MobLand

Shady figures meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

Actually, that is harsh on the crime shows of the late 90s. Many look a bit old-fashioned now, but at least they didn’t endure the ignominy of having to indulge unconvincing accents. But there were many other problems. Primarily that it was just profoundly boring; a conflict over narcotics territory between various cockney picaresques which felt a bit basic.

The Meghan Markle Series

Considering the extent to which she provokes the ire of certain ostentatiously enraged commentators, it’s almost easy to admire the Duchess of Sussex’s various forays into twee homemaking as deliberate statements. But then you watch them and are forced to admit that in this case, they may have a point. It’s like watching a homeware magazine animated; a poster for wine o’clock with delusions of grandeur; a parade of snoozing dogs, humming beehives, Hallmark sayings and forgettable crafting “hacks” you’ll forget instantly. All underpinned by immense, largely undeserved wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be said about both Victoria Beckham and her journey with career, identity, self-acceptance. But for some reason, this documentary series chose not to explore them. Rather, the viewing was like reading a sales brochure. She obviously has every right to bridle at what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this cagey non-event of a series.

The Inheritance

It had the potential to be the next big hit – except even more extravagant, with a famous star playing dead and a sharp-tongued personality managing her estate. What more could you want? As contestants competed, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s even now too confusing to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The series ended up reeking of a production that was straining desperately to emulate something way beyond it.

The Lena Dunham Romcom

How do you follow a show that defined a generation? The expectation was immense for this starry romantic comedy about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the abundance of celebrity cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not good enough to be ‘patchy’.

Given the smart inclusion of talented emerging comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a single joke stretched to a husk but repeated in every episode. One star seemed too willing to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the thought that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be handled sensitively. Instead, the series laboured awkwardly to find the right tone, lurching from strangely breezy, slightly mannered farce to inevitably, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We admire the lead actor … but did we buy him playing the greatest maths genius in history, a man so smart he’s on the verge of a discovery that could ruin society? No! This globe-trotting thriller about government agencies spying on – and killing off – academics frankly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator notorious for explicit escapades as she undertook her most extreme feat yet. What on earth would motivate her? What we craved was way more interrogation of her true psyche, plus those of the men in the queue. They could at least have spoken to the legendary mum who appeared to drag her son out of the queue. What we got was horrific imagery and zero interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

Mike Baker
Mike Baker

A seasoned journalist with over a decade of experience covering UK current affairs and cultural trends, known for insightful analysis.